Would you like to increase the profits of every ad you write… without making any extra sales and without adding even one penny to the price of what you’re selling?

Then consider this:

A couple years ago one of my joint venture partners and I were selling a product that, while extremely high quality, was getting a ton of refunds.

One of the reasons for this was because we were letting people buy it on approval (i.e. we’d send them the product for 30 days before charging their credit card) and we were using PayPal. And the only way to do this with PayPal was to set up a “subscription” that lasted 30 days.

Only problem is, PayPal sends you an email reminding you at the end of those 30 days about your purchase and gives you a nice, convenient link you can use to cancel the order (you just click on a link).

Long story short, we ended up with a whopping 37% refund rate.

Ouch.

And it didn’t take long to realize we shouldn’t be using PayPal for this particular deal, and used a regular merchant account. As soon as we did that, the refund rate plummeted from 37% to 10%.

Now, here’s the thing:

We were making about $450 per sale. Which means we were grossing $45,000 every hundred sales. But at a 37% refund rate, we were only netting $28,350 of that money.

After changing the merchant account and cutting down the refund rate to 10%, we were netting $40,500 every 100 sales.

In other words, we added $12,150 to our profits…without adding a single sale or increasing the price. All we did was cut the number of refunds.

And ever since then, with every project I’ve worked on, one of the first things I try to strategize is how to write my copy and structure my offers in a way that minimizes refunds. Especially when doing “try-it-before-you-buy-it” offers — which tend to increase both sales and refunds.

Anyway, here’s the bottom line:

Depending on the price and quantity of what you’re selling, reducing your refund rates by just 5% or 10% can put a significant amount of money in your pocket without doing any extra work whatsoever.

If you want to know a quick and easy way to inject passion and excitement into your ads without using even a speck of “hype”, then here’s how one of the world’s greatest living copywriters does it.

And why you can do it, too.

Anyway, here’s the “secret” in a nutshell:

Get rid of all the exclamation marks… or use them sparingly.

Not only will doing this make your claims seem less hypey… but you’ll also stick out like a soar thumb from your competition at the same time.

Now, you may be thinking, “But all the copywriting ‘gurus’ use tons of exclamation points. Why shouldn’t I?”

Answer:

Not all the gurus do use an endless amount of exclamation points.

In fact, some of the highest paid copywriters in the world hardly use them at all.

For example:

Do you know who Gary Bencivenga is?

He’s considered one of the greatest living copywriters in the world, with the track record to prove it.

And guess what?

If you read his ads you’ll notice many of them contain few (if any) exclamation marks.

Why?

I can’t speak for the man, but one reason that seems obvious (to me, at least) is he doesn’t need them.

You see, the content of his ads is inherently exciting — without needing any exclamation marks, empty adjectives or fluff.

Think about it this way:

If someone has a disease that’s killing them, and you have the cure, then you don’t have to put an exclamation point anywhere in that ad if what you’re saying is interesting, exciting and can be backed up.

In other words, you won’t have to try and “create” excitement… it’ll be exciting on its own — whether you use five exclamation marks after your headline or not.

Now, am I saying ads with exclamation marks are bad?

No.

Many of the best ads ever written — that pull millions and millions of dollars per year — are packed with them.

What I am saying is they’re not always necessary.

For some markets they work like gangbusters. But in a growing number of markets — where people are getting sick and tired of reading one hyped-up ad after another — they can actually hurt sales.

But as with anything, test this yourself and see.

Take one of your ads with a lot of exclamation points, strip them out, and then test what happens.

Depending on what you’re selling and who you’re selling to, you may just find your response, sales and profits go up dramatically.

When I was a kid I loved collecting comic books.

I enjoyed them so much, I even wanted to be a comic book writer or artist, and spent a lot of time reading interviews with people who actually did create comic books.

And although I didn’t realize it at the time, reading these interviews taught me one of the biggest “copywriting” secrets I ever learned.

A secret so unbelievably effective it can instantly multiply your response.

Yet so childishly simple it can be used by anyone — no matter how good or bad a “writer” you are now.

What was this secret?

Well, whenever these comic book pros were asked why they got into the business or what made them start reading comics, many of them would say that yes, they loved the action and adventure and artwork, etc.

But even more than that… they wanted to see what was going on in Spiderman’s love life.

Or what Batman did when he wasn’t kicking arse on the streets at night.

Or if Clark Kent was ever gonna finally get it on with Lois.

Anyway here’s my point:

It became obvious to me people don’t just buy comic books for the usual reasons of action, adventure, great stories and riveting art.

They’re also buying a personality.

They’re buying someone they can identify with each month — with the same hopes, dreams, problems, fears and insecurities as everyone else.

In fact, Stan Lee (the co-creator of Spiderman) said his biggest challenge writing Spiderman was not coming up with dialogue or new villains for him to fight.

No, his biggest challenge was actually creating more problems to throw at Spiderman when he wasn’t in his spidey suit and was just Peter Parker.

You see, he wanted to make sure people would identify with Spiderman not just as a “super hero”… but also as a regular person.

The result?

Spiderman is a world famous icon worth hundreds of millions of dollars to Marvel Comics today.

That’s what the power of a simple, ordinary personality can do.

And guess what?

You can easily harness this “power” (no pun intended) yourself for your ads.

Just let your hair down and be yourself.

Write like you talk (or write like the person whose “voice” your copy is in).

Use your own figures of speech, attitude and colloquialisms.

You know, in a lot of ways, using your personality makes writing copy easier anyway. You don’t get hung up on a bunch of copywriting and grammatical “rules” and “formulas.”

You may even butcher a few major copywriting “rules” every now and then.

But who cares?

At least you’re being “real.”

And your readers will feel like you’re talking to them… and not at them.

And you when start doing that, the difference in response is night and day.

How would you like to quickly and cheaply build a thick, beefy swipe file full of proven and successful direct response ads?

A swipe file that contains not only long copy ads… but also proven classified and space ads that can be adapted and modified for pay-per-click ads and ezine ads?

And how would you like to be able to build this swipe file of hundreds of ads for about $50 or less?

Then all you need do is head over to the nearest comic book convention.

This is no joke.

If you want to see some of the best copy ever written then spend a few hours pouring over direct response ads found in comic books and a whole new world will open up for you.

The psychology the copywriters used in those old direct response comic book ads is sheer brilliance.

They knew exactly how to get “inside” your head and persuade you to buy things you never in a million years would have considered buying before. Plus, they were usually able to do it with just two or three sentences.

And as I said, they’re cheap.

Believe it or not, the comic books with the best direct response ads are almost always less than a dollar a piece.

The key is to buy the older comics from before 1990. For some reason after 1990 comic book ads started shifting into image ads and away from direct response.

But the older ones are all direct response ads.

And unlike baseball cards, comic books tend to go down in value instead of up.

And the really old ones — especially titles that didn’t sell well — can many times be bought for next to nothing.

In fact, if you go to a comic book convention you can sometimes buy entire boxes of old comics — containing thousands of ads — for less than $50.

Whatever the case, if you want a huge swipe file packed with powerful direct response ads, buy old comic books.

They’re dirt cheap… and they contain some of the best examples of selling, persuasion and copy you’ll ever see.

If you want to know a quick and easy way to get inside the heads of your customers… and learn what their “hot buttons” are when writing copy… then check this out:

One of the first things I do when starting a new copywriting project is go straight over to amazon.com.

Why?

Because in most cases it contains a gold mine of information you can use to find out what makes your customers “tick.”

And the first thing I do is simply type in the subject my ad is about and read the various different book titles.

This alone will light your mind on fire with ideas for headlines and potential themes for your copy.

Next, I read the editorial reviews of all those book titles.

They usually contain at least some raw material for snatches of copy, themes and appeals I can use in my ad.

After that I tackle the real “meat” of the site — the customer reviews.

You can dig some real gems out of these customer comments and feedback reviews.

Why?

Because when people write these reviews they’re basically downloading their raw thoughts and handing you dozens of ideas for your ad on a silver platter.

You’re literally reading the minds of people who have spent money on the subject your ad is about.

And if you pay attention, you’ll see what’s resonating with your market. What they like and don’t like. What they were happy with and what they were unhappy with.

You’ll see the exact words they use, the questions they ask and what appeals to them on an emotional “gut” level.

All of which makes great “fodder” for your copy.

Anyway, here’s the bottom line:

There are a lot of different ways to get into the heads of people you’re selling to in your copy.

But one of the best and cheapest ways is simply going to amazon.com and looking at the editorial and customer reviews of products related to what you’re selling in your copy.

Not long ago someone asked me this interesting question:

“I have a full time job, a family I love and a full rotation of adult responsibilities. How do I find time to learn about copywriting?”

This is a great question. A lot of people struggle with this exact same problem.

And the simple (but brutal) answer is:

You’ve got to find time wherever you can.

For example:

Four years ago when I was starting out, I had a full time job and my wife and I also had an office cleaning business which I’d help her with at night.

I didn’t have a lot of time, either.

What did I do?

For one thing, I left for work at least a half hour early and I wrote ads, read books researched my project notes when I got there.

Later, to seize even more time, I lobbied to work on second shift (when nobody was there). Then every day I would try to get my work done as fast as I could, so I’d have an hour or so to write ads or study something while at work.

Risky?

Yes.

One “surprise visit” from a supervisor or manager and I’d have been canned on the spot.

But I did it anyway because I was in a hurry and I really didn’t have a lot of time at home to do it.

Now, this may sound extreme and I’m not suggesting you do the same thing.

I just want to make the point of finding time wherever you can.

You may have to stay up to the odd hours of the night or get up an hour or two early.

If you have a job, leave an hour early and study or write ads in your car in the parking lot (I did this many times).

When you take your breaks, go out to your car and write or study ads. Even if it’s for only 15 minutes.

When you’re on your lunch break don’t sit around with all the gossipers, whiners and complainers. Write ads or study something.

On the way to and from work turn off the radio and pop in a CD about marketing or copywriting.

I know of one guy who writes books and ads in his car while he’s commuting. He has a little digital recorder and he “writes” by speaking his ideas, thoughts and inspirations into the recorder while driving, then has it transcribed later.

Heck, if you have cable television unplug it for just three months.

Spend the time you’d normally watch TV and read and write ads. Take the money you would’ve spent on cable and buy more books and tapes.

Look, everyone’s situation is different.

And what worked for me or someone else may not work for you. The above are just a few of things that worked for me.

The idea here is to get radical about managing your time and squeezing every possible second you can from your day.

It doesn’t take that long to get good enough to start making money with your copy.

But it does take some time.

And the faster you get through the “learning curves” — by getting merciless with your time — the better.

If you are just starting out as a copywriter, but are afraid of writing “crap”, then here’s how to abolish that fear and start making money right away — no matter how poor your copy is.

Look, here’s the whole secret to getting over your fear of writing bad copy:

Just start writing.

The more writing you do the better you’ll get.

It’s like anything in life. Nobody starts out being great at everything. And all it usually takes is a little “push” to get your started.

For example:

When I was a little kid around five or six years old I sucked at swimming. I hated it. I was afraid of the water and honestly thought I’d drown without those dorky little arm floaters on.

So my mom, God bless her, decided to make me take swimming lessons.

At first I resisted. I’d act like I was sick. I’d go away and hide. When it came time to jump off the diving board, I actually climbed the swimming area fence and ran away.

Thankfully my swimming teacher caught me, dragged me to the diving board and threw me in kicking and screaming.

What happened next was a miracle:

I didn’t drown, I didn’t flounder and I didn’t even cry.

Instead I actually enjoyed it.

A few days later…I was even good at it and looked forward to swimming.

And writing copy is the exact same way.

When you’re just starting out and you have that fear your copy won’t be any good, just write an ad.

Better yet… create a product (or find a product to sell), even if it’s just a little cheap one.

Then write an ad the best you can and throw it up on eBay.

If you’re selling something people already want (very important) people will respond to your ads even if your writing is lousy.

In fact, you’ll realize the “writing” is all relative anyway in marketing.

If people want what you have, your writing can be crap and you can still make money. But if people don’t want what you have, your writing can be perfect and you won’t earn a penny.

And that’s why the best cure for fear of being a bad writer is simply writing and selling things you know people already want.

Just realize you probably are going to write terrible copy at first.

Everyone does.

But like I said, if the demand is there, then you will have at least moderate success, no matter how hideous your copy is.

So there’s really no need to worry about it.

It seems like not a day goes by when one of my business partners doesn’t call me up, or I call him up, and say:

“Hey, I was just taking a shower and got this great new idea for that project we’re working on!”

I know that sounds strange, but it’s true.

There’s something almost magical about taking long showers and “suddenly” getting the answers to problems or coming up with ideas for your ads.

It’s just amazing the way that works.

I even did some research on this not too long ago.

And apparently there is something in your brain that stimulates creativity when warm, soothing water pours over your head.

Problems are solved, ideas are sparked and your creativity basically goes on overdrive.

Personally, I seem to get many of my best headline ideas for my ads while taking long, hot showers.

Whenever I’m working on an ad headline, and I’ve cranked out two or three hundred different headlines (and can’t seem to find the right one) I always take a lot of long, hot showers.

Sometimes even several showers per day.

I’ll just sit there in the shower, letting my mind wander, and trying not to think about anything specific.

Most of the time (so often it’s almost spooky) the answer will come.

Try it yourself and see.

Next time you’re writing an ad and can’t think of that right phrase, idea, theme, headline, etc, take long, hot showers. Maybe even two or three in a day. Just let your mind wander and solve the problem for you.

If you would like to make sure you never again stare at a blank screen or piece of paper when writing your copy, then this article will show you how.

Once upon a time a guy I know called me up almost panicky because he had a looming deadline and couldn’t think of anything to write.

“All I seem to be doing is starting at a blank screen! What do I do?” he asked.

“The reason you’re staring at a blank screen is because you’re not doing anything. You’re just staring. Start writing and your problem will fix itself.” I replied.

“Oh.”

A few hours later he finished his ad and made his deadline.

Listen, simply start writing something — anything — and I promise you ideas will begin to flow and concepts that were vague will take shape.

I personally write an enormous amount of content for both my copywriting clients and my own projects.

Not just ads, either.

But ezine articles, auto-responders, blog posts, even entire books.

And yet I never stare at blank screens or wonder about what to write.

Never.

It’s kind of ironic, but I get a tremendous number of ideas — for all the hundreds of different things I work on in a given month — while I’m writing.

For example:

When I’m writing an ezine article, I’ll almost always get two, three, four or more ideas for an ad I’m writing or for one of the other projects I’m working on.

There’s no “voodoo” about it, either.

It’s just how the human mind works.

The late copywriter Eugene Schwartz (a man who routinely wrote tens of thousand of pages of material for his ads, books and articles) talked about this in his speeches.

He explained how when you focus your conscience mind on a task, you allow ideas floating around in your subconscious to “bleed” in to the front.

Want to know something funny?

I actually just got an idea for another ezine article while writing the above.

That’s how quickly and immediately this can work.

The key is movement.

The more movement you create — like when you’re writing, for example — the more ideas will come to you.

On the other hand, if you’re just sitting there, chances are nothing will happen. Because you’re not moving or doing anything.

If you don’t want to write to get the juices flowing, then take a walk. Go for a bike ride (I’ve gotten hundreds of great ideas riding my bike). Do the dishes. Something. Anything.

Bottom line:

If you start moving I guarantee you ideas for your ads will come crashing into your consciousness so quickly you’ll probably have trouble keeping up with them all.

What would you say if I suggested there are certain cases where you should not use a headline on your sales letter?

Most copywriters I know would say I’m nuts.

I mean, not using a headline is the greatest “sin” of copywriting, isn’t it?

And 99.9% of the time I would agree.

Except…

There are many examples of successful letters — including a couple of my own — that pulled better without a headline.

The most obvious and well-known example would be Gary Halbert’s coat-of-arms letter — one of the most-mailed sales letters in history.

I’ve seen two different versions of that letter. One with typos and one without. And I didn’t see a headline on either of them.

Instead, it looks like a personal letter individually typed on a typewriter, written to one person — and not something mass mailed to everyone in the United States.

You can see it yourself here: Gary Halbert coat-of-arms letter

Do you think that letter, to that audience, selling that product, would have pulled better with a big, bold headline at the top of the page? If it didn’t have that “from the kitchen table of Aunt Martha” look?

Maybe, maybe not.

But that letter mailed to hundreds of millions of people without a headline for years.

Another example of a no-headline control letter is this pitch I get every few months from a company called “Biotech Research.”

And guess what?

No headline.

Here’s a scan of the first page so you can see yourself: Biotech air purifier sales letter

And if that’s not “contrarian” enough… this letter also has no subheads, no p.s. and looks like your garden variety piece of corporate “junk” mail.

Interestingly enough, I actually have several different direct mail letters from these guys. And they all have the exact same layout as the one on the link above — with the company’s corporate officers on the left hand side with no headline at the top.

Anyway, I have more than a few sales letters like this with no headlines in my files. All controls, and all proven money-makers.

Now, with all that said… I’m not saying to not use headlines.

But letting yourself get enslaved by a bunch of “rules” can sometimes be counterproductive.

And when you really, really, really want to hide the fact your letter is actually a “pitch” at first glance… you may want to at least think about testing not using a headline.

For example:

A couple years ago — when I first saw the above letters — my curiosity got the better of me. And I wrote two different versions of a joint venture letter to sell some people on running a product to their lists.

The only difference between the two was one had a headline and the other didn’t.

What happened?

Out of the 100 or so I sent out, all the responses (I think there were 6 or 7) came from the letter without the headline.

The letter with the headline didn’t do anything.

Why?

Who knows?

Could be any number of reasons.

All I know for sure is the headline letter didn’t work, while the headline-less letter did.

With the letter that worked, I carefully re-tooled the headline I used in the letter that didn’t pull any responses as the opening paragraph to make it look more personal (while still compelling) — as if it was written for just one person to read. And not something going to 100 other people.

Of course, this was not a “scientific” test by any means.

But I did find the results kind of interesting.

And I’m going to test a variation of this same “headline-less” JV letter in the near future just to see what happens.

Here’s another example:

The first time I offered my copywriting critiquing service to my list I decided, just for kicks, to try the headline-less approach again. Just to see if the JV letter thing was a fluke or not.

I didn’t expect much response.

In fact, I half expected a deluge of emails from people asking, “where’s the headline, jackass?”

But you know what?

I got twice as many orders than I wanted or could even handle. Something like a 3% response when I was overloaded with half that. It was crazy.

Of course, an argument could be made people were buying “me” and had already made their decision to buy without reading the letter — headline or no headline.

But the funny thing is, none of the versions of this critique letter I’ve used since (all of which had headlines) has pulled as well as that first one without the headline.

And that’s despite my list size growing with each offer… and despite word-of-mouth advertising helping fuel my response.

But, like the JV letter, this is not by any means a scientific analysis.

And I’m the first to admit both the JV letter and the critique letter could be flukes. If I could go back in time, I’d split-test everything.

One day I’ll do a real test of this with a completely different product, to a completely different market, and carefully analyze the results.

Anyway, let me “bottom line” this:

As I said before, I’m NOT saying to not use headlines.

The reality is doing a letter without a headline will probably murder your results just about every single time.

What I am saying is look at your unique situation, consider who you’re writing to, figure out exactly what you want the reader to think and feel and do when they read it, and take it from there.

If, for example, you’re writing a “from Aunt Martha” sales letter (like the coat-of-arms pitch), then maybe kick around the idea of carefully testing it without a headline to a small portion of your list.

Who knows?

You may be surprised (as I was) at what happens.